A January 1st walk along the Loire.
I’ve started to deep dive in my catalog of photos, and here’s a little gem from a few years ago: some shots my wife took of the Kuwait city market when she went there on training. Continue reading
The weather is back to nice (30 C at dusk, feels almost chilly) and the kids are on vacation, so I’ve managed to wrangle a half hour away from everything. Landed in the parking lot of a huge park they’re rebuilding in the center of AD. The workers where wait9ing around for their accomodation shuttles.The trip is an hour each way, twice a day. Little to no AC. To go back to lodgings that look like a prison camp (although to be fair – they seem clean and well kempt from the outside)
The Pinoy guy is from Cebu. I think he was very happy to talk.
Instagram’s new toy is called Hyperlapse. It’s a very nifty way to make really nice time-lapse like movies … With an extremely good stabilization. Everything in the video is shot handheld, one handed.
This is going to be fun!
The smallish park next to work is the only place with some shade and some grass. I imagine it’s cooler than the beating sun, but I’ve always wondered where the workers come from, since there’s little construction around.
Last March I took David Alan Harvey’s class at GPP. One of my fellow students chose to shoot Sheikh Zayed Mosque for his photo essay. It turned out pretty well, except for the ONE shot David kept asking him for: “get me the Moon and the Mosque together”.
It led to some memorable in-class exchanges – from which I learned 2 things: don’t argue with David and you should shoot a day before or after the full moon – it looks better.
Lesson 1 was actually pretty useful during the class. Arguing with DAH over the relative merit of ones pictures is pointless. It’s not, by any stretch of the imagination, a class based on objective criteria. It’s self-consciously and shamelessly subjective.
So if David tells you to go get the Moon over the Mosque – you go try to get the Moon over the Mosque (or in my case, the fishermen’s bedroom). If you do, great. If you don’t, chances are good that you’ll have learned something in the process anyway.
Lesson number 2 stayed with me for a while. I live right next to the Mosque, I see it every day – so much so that I sometimes forget it’s there. Until I read something about a Supermoon coming up, and I figured I’d get my ass in gear. A quick check of the “The Photographer’s Ephemeris” told me that I was in luck, full moon was in 2 days so the next morning (remember, a day before) I was in front of the Mosque, double parked on a highway, with my tripod perched on top of a pedestrian bridge.
And that’s where, a full 5 months after the class, DAH taught me something again: I’m really, really, really not a landscape photographer (and I get bored really, really, really easily) (also, even in the UAE and in June, it can be cold in the morning)
By the way: it is absolutely possible to get shots of the moon and the mosque. One of mine made “Photo of the Month” at GPP.
So thanks David, for some great butt-kicking and inspiration. See you next year.
Have you ever tried to find links to people and images that matter in the history of photography? It’s kind of a nightmare….
A bunch of people, who met at the GPP conference in Dubail in 2013 and in 2014, have gotten together and pieced a list of resources that they have found useful, one way or another, in learning about photography as a form of expression.
These resources are exclusively focused on photographers and their production. There is nothing here about gear. Not because it’s not important, but because it’s not the point.
There is also no judgment of value on these artists. Some of these I hate, some of these I love, and you’ll have your own favorites. Again, that’s not the point.
The point is to educate your taste, so you can build your own style, one day.
I’ll leave you with this quote from André Gide:
“Everything that needs to be said has already been said. But since no one was listening, everything must be said again”
and the admonishement to read “Steal Like an Artist” by Austin Kleon
Gulf photo plus was running a competition during their 2014 edition. The premise was simple – shoot stuff, tag it with #gpp2014, and maybe win.
I’ve participated in a few competitions, never won anything, and as a matter of sanity, I’ve decided I wouldn’t anymore… frankly, the agony of choosing “a good picture” is just too much for me.
David Harvey told us in class (I’m paraphrasing) that he didn’t think competitions and awards were very valuable – after all, who remembers winners even after a year. His take? Build your body of work. If you’re a pro, that’s what art directors will look for, and if you’re an amateur, that’s what you want the world to see – your book, not your trophy case.
A recent article by Eric Kim made the same point indirectly, by admitting to the absolutely subjective nature of judging (I’m not naive – but having it spelled out for you is still an eye-opener).
So I didn’t really enter the competition on purpose. I was tagging my work as a matter of fact – to share with as many like minded people as possible.
I didn’t even realize I was participating – I thought I would’ve had to choose a pic and fill in a form.
But the good folks at gpp made it hard on themselves, and easy on us. They seemingly collected every thing that was tagged over the course of that week, and then sifted through it to choose what they liked.
As it turns out, mine is one of the 5 they chose to win. I didn’t even learn of this until the next day – for the first time in ages I’d had no internet access for a full day, and I only noticed when Congratulations! messages started appearing in my timeline.
Whatever I may think of competitions, I’m truly honored, because it means that my picture stood up to enough people to make it through the winnowing process to the top 5.
I still think there are some more valuable pictures in the lot that haven’t won but the sense of pride I feel is real: a few people, who don’t know me, collectively liked my photo enough to push it through.
If I’m cynical, I’ll say that this satisfaction is the same as the primal urge I feel when someone “likes” one of my Facebook posts. I know that, but I also believe, in part, that I’m happy because it means that I’ve managed to connect and to evoke feelings through the image, which is ultimately why I take pictures.
So, thanks to GPP, and maybe I should rethink competitions …