The Mamiya C630 is a perfectly acceptable point and shoot.
So my last tweet got retweeted by @zarias, and he even took the time to tweet a thank you note.
To (mis)quote @bruko, I’m as giddy as a kindergartner at a birthday party, because it’s awesome and it’s never happened to me., and because I’m getting to spend the next week rubbing shoulders with him and a dream team of photographers.
Last year, a fellow student took me aside during a class, and said to me: “we’ve spent all this money, and all we do is follow this guy around. He’s not teaching us anything.” I felt sad for him, but it kept nagging me. Had I and others really drunk some GPP Kool-aid, and been blinded to something more sinister?
Then I realized what the answer should be. My first year at GPP, I went home to Abu Dhabi every night. It was good (Zack, and David N. were my first instructors). But the second time, when I stayed at the hotel every night, and made some friends, it went from good to great. Because what we get that week is more than just “classes”. It’s access to the creative minds of people who are at the top of their game. We’re not getting an MFA at GPP University. We’re spending a week around these people while acting like sponges. Can you imagine what breakfast is with McNally, Heisler, Burnett and Harvey? Yeah, that. Then when you think it can’t get anymore awesomer, Keatley walks up and takes this in front of your eyes, in a dingy Holiday Inn corridor.
There’s a catch, of course. There’s effort on our part, as students. And I’m not talking about the effort of turning up to class and absorbing the material. I’m talking about the effort of being gracious to people who are so open with their time and knowledge, of not treating them like mere vendors .
So yes. You can look at it as a simple transaction, and bemoan the value you’re “not getting” from Dave Burnett not telling you which setting he’d use on your camera (maybe he can take the picture as well, right?). Or you can suck it up, spend some time talking to him, and get this awesome portrait from my pal Keith Rogers.
- chances are, if you’re doing this, your photography doesn’t have much soul, so it doesn’t matter to you. It does to me. ↩