Un âge sans conscience.

Une erreur profonde de ma génération et ses suivantes est de penser que la montée du Nazisme est limitée aux années directement précédant la guerre. Il y avait au contraire un terreau, que cet article décrit bien. Les luttes académiques pourries par un racisme qui vient forcément de l’air du temps..

Ce qui ne me rassure pas: malgré tout, l’époque était au positivisme, et le science avait bonne presse. Aujourd’hui, en plus de la montée purulente de la merde brune, la science elle même n’a plus d’écho – on préfère penser “alternatif”. J’ai peur.

How German Mathematicians Dealt With the Rise of Nazism – Tablet Magazine


Another age of protest songs?

The consensus is that the years ahead are not going to be pretty. Most of the western world seems poised to take a hard conservative bent, at a time when massive surveillance technology is reaching a tipping point, and while ultra-religious terrorism is becoming an increasingly common means of protest or rebellion against established states.

Whatever 2017 brings on, at least I’m hoping that creative resistance against the Trumps, Putin and Le Pen’s of the world will fuel an new generation of protest art in general, and songs in particular. Hey, I need all the silver linings I can get.

As a testament to the power of protest songs, here’s one I (shamefully) discovered only recently.

There’s an amazing story behind it, as well. It was written by Abel Meeropol, a New York Jew, not a Southern African American, who was a communist high-school teacher and ended up adopting the sons of Julius and Ethel Rosenberg.

This gives me hope that in the years to come, people will find it into their hearts to fight the good fight and dream up utopias.


It is a kind of slavery of expectations.

Chris Arnade’s new piece shows the reality behind the “brutal” neighborhoods stereotyped by Trump is more complex, and sadder, than he’d have you believe.

‘Living in hell’? Milwaukee’s black residents defy Trump’s stereotypes | US news | The Guardian